Noisy cricket!

A cheap and cheerful solid state practice amplifier!

For most of my recording, I go direct. As much as I would love to plug in the tube amp and wind up the volume, it’s just not practical in an apartment.

One of the things I want to do more of is be able to just pick up an instrument and play. Enter the noisy cricket: originally the Ruby from Runoff Groove, the Noisy Cricket was developed by Beavis Audio, and adds a tone control, and a “grit” switch, for extra breakup. An explanation of how the circuit works can be found at Electrosmash.

In the spirit of “cheap and cheerful”, my build started off as a Ruby, on a piece of vero board I had laying around, and almost all of the parts are scavenged, apart from the LM386 amplifier IC and the MPF102 JFET. It’s all housed in a solid state guitar amp that I found by the side of the road and gutted. The original plan was to build a 1W all-tube practice amplifier, but then I came to my senses and realised the Ruby/Noisy Cricket World be way more straightforward ?

The first build was straightforward, but didn’t work at all. Damn. After putting it aside for a few days, I retraced the circuit, and found I’d messed up the layout. The instructions I was using had a different pinout to the JFET; I’d modified the layout to suit, but the layout in the image was actually OK.

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Rebuild #1, and it works! Sort of. There’s a lot of oscillation, and a nasty hum that gets really loud if the guitar lead is fiddled with. After some digging round on DIY Stompboxes, I decided that vero is probably just inviting oscillation, and ordered a PCB from Fuzz Dog pedal parts.

The PCB build made things way simpler – but then, still a buzz! After poking things with my finger (so scientific, don’t try that with a valve amp!) and some advice from the folks on the DIY Stompboxes forum, I worked out it’s a ground issue, with the circuit amplifying the 50 Hz mains him. Frustrating, but easily fixed – some shielded wire on the input, and it’s quite a handy practice amp, now!

Author: Patrick

Patrick’s music is grand and intimate, a combination of stirring, spacious rock, thoughtfully layered instrumental harmonies and unexpected electronic flavours. Patrick began his journey in the world of classical music, before moving from the music of J.S. Bach to include artists like Pink Floyd, Daft Punk, Brian May, Imogen Heap and Sigur Ros among his influences. As a musician, he is driven by his love of music in all its forms; after starting out as a classical guitarist, he has added keys, bass guitar, drums and vocals to his repertoire. As a producer, Patrick is currently somewhat of a studio rat, composing and recording with a unique collection of instruments and effects, some of which he’s built himself in the quest to define his own sound. His ambition is to one day complete an album that is entirely analogue. The music is all that matters...

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